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Wells, Rafael Sabatini, Bill Gates and Nora Roberts to conjure up this delightful stew of swashbuckling time-travel, romance and bubonic plague. But Jon Cory manages it all by himself, thank you very much.

A Plague of Scoundrels

The style is pleasing, the pace is swift and the story unrolls easily through the writer's efforts, not at a cost to the gentle reader. It is suspenseful throughout and the end a mystery until the end. Thoroughly enjoyable and as true to detail as any time-traveler's handbook you can buy in a store. So, our comic protagonist dons a period costume and zaps off to save the day.

Plague was pretty well written to this point. The mystery of the landlord and the box and amusing quips from the comedian kept me interested. After we go back to 17th century England, which is where most of the story takes place, not so much.

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The main problem was that Plague tried to be both a comedy and an adventure and wound up lukewarm at both. There was huge laugh potential in the culture clash of a modern stand-up comic in Tudor times, but Cory never mined it. They were kind of amusing, but never laugh-out-loud funny. The story could have used more reaction humor between characters of very different backgrounds. Then the smart aleck tone kept me from unengaged from the long, supposedly nail-biting action scenes.

Excerpt from Lord of Scoundrels

The really good beginning just had me expecting more. One person found this helpful 2 people found this helpful. As the title suggests, this novel is a light comedy set mostly in the England of Charles II. However, unlike most time-travel stories of this sort, the hero does not interact with the king, or any other great lord of that era. Instead, he has a very believable, if vastly chaotic, adventure involving ordinary citizens of that time and one extraordinary character from the present , many of whom happen to be scoundrels of one ilk or another.

All of the characters are complex enough to be very human, and most compelling in some way.

After all, despite Bockman's overactive imagination, head-to-toe Robin Hood costume and locked bedroom door, he seems nice enough. Little does Elliot know that his new landlord is time-traveling to trysts with an ex-mistress of England's King Charles II.


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Jon Cory's humorous and romantic debut novel takes readers on a romp through London and the rural English countryside. Along the way, we meet a cast of scoundrels including petty thieves Tom Major and Tom Minor, Grundel the local hangman, and the villainous Frenchman Le Mieux.

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Then of course there's the beautiful maidservant Lilly, who will lead Elliot Vail on the adventure of a lifetime. But will love be enough to keep Elliot in Plague-ridden London, or will he return to modern life in twenty-first-century San Francisco? Hardcover , pages. To see what your friends thought of this book, please sign up. To ask other readers questions about A Plague of Scoundrels , please sign up.

Be the first to ask a question about A Plague of Scoundrels. Lists with This Book. This book is not yet featured on Listopia. Apr 30, Kenneth Hursh rated it it was ok. So, our comic protagonist dons a period costume and zaps off to save the day. Plague was pretty well written to this point.

The mystery of the landlord and the box and amusing quips from the comedian kept me interested. After we go back to 17th century England, which is where most of the story takes place, not so much.

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The main problem was that Plague tried to be both a comedy and an adventure and wound up lukewarm at both. There was huge laugh potential in the culture clash of a modern stand-up comic in Tudor times, but Cory never mined it. They were kind of amusing, but never laugh-out-loud funny. The story could have used more reaction humor between characters of very different backgrounds. Then the smart aleck tone kept me from unengaged from the long, supposedly nail-biting action scenes. The really good beginning just had me expecting more.

Feb 24, Don Maker rated it it was amazing. Why does the cowboy have to wield magic? This cowboy wields magic… how is some supernatural pests going to be a problem for him? Surely the vampire is only useful if the pests attack at night…?


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  4. Do the townsfolk accept a wizard and a vampire living amongst them? What does he learn? As Nicholas said, is there a way to make the threat more personal?

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    Personally, I think it would be a better story if the cowboy and his boyfriend were just normal human beings. Maybe the result is that their gay relationship is accepted by the townsfolk. Can you describe them more cinematically?


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    7. What are they trying to achieve? It would be better if they had a goal too. I want the protagonist to be fighting the monsters. Alternatively, make the boyfriend the protagonist with a backstory these supernatural beasties killed his partner — make it personal.